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UPPSC Assistant Teacher ‘LT Grade’ English Syllabus

UPPSC Assistant Teacher ‘LT Grade’ English Syllabus

Main Takeaway: This expanded syllabus provides granular subtopics, pedagogical aims, question–type specifications, weightage breakdowns, recommended supplementary readings, and sample evaluation methods for each section—Prose & Fiction, Poetry, Drama, and Grammar & Usage—ensuring thorough preparation for the UPPSC LT Grade Assistant Teacher examination.

1. Prose & Fiction

1.1 Prescribed Text Analysis

For each text, candidates must master:

  • Contextual Background: Author biography, historical/social milieu, literary movement.
  • Structural Breakdown: Genre conventions, narrative structure, point of view.
  • Thematic Exploration: Major themes, motifs, symbols, and their development.
  • Stylistic Devices: Diction, rhetorical figures, tone, irony, satire.
  • Critical Interpretations: Two contrasting critical perspectives (e.g., feminist, postcolonial).

Detailed Subtopics & Weightage

Text & AuthorSubtopics (each 2–3 marks)Weightage (%)
Bacon: “Of Studies”Classification of studies; purpose vs. pleasure; style analysis; applicability in modern context.4
Addison & Steele: “Spectator” essaysPeriodical prose; social satire; characterization of “Mr. Spectator”; moral instruction.5
Lamb: Selected essaysPersonal voice; humour vs. pathos; digressive style; cultural references.5
Maugham: “The Necklace”Irony of fate; narrative irony; character analysis; society’s materialism.5
Orwell: Animal FarmAllegory of revolution; character symbolism; narrative irony; language registers.6
Tagore: Gitanjali (Selections)Mystical imagery; devotional diction; translation variations; unity of nature and spirituality.6
Desai: “Flight”Character psychology; stream-of-consciousness technique; family dynamics.4
Narayan: “The Guide”Social realism; narrator’s reliability; moral ambiguity; Indian ethos.5
Woolf: “A Room of One’s Own”Feminist argument; narrative structure; essayistic rhythms; gender and authorship.5
Rao: Kanthapura (excerpts)Village social hierarchy; use of folklore forms; postcolonial discourse; linguistic hybridity.5
Achebe: Things Fall Apart (excerpts)Igbo cosmology; clash of cultures; narrative voice; role of proverbs.5
Total55

1.2 Pedagogical Aims & Methods

  • Close Reading Workshops: Annotating print texts, group commentary sessions.
  • Comparative Essays: Provision of passage pairs for thematic comparison.
  • Seminar Presentations: Small-group debates on critical interpretations.
  • Project Work: Creative re-writings, dramatized enactments, multimedia storyboards.

1.3 Evaluation Formats

  • Short Answer Questions (2–5 lines): Definitions, device identification (20%).
  • Long Answer Questions (200–250 words): Critical analyses, thematic essays (35%).
  • Passage-Based MCQs: Contextual vocabulary, inference judgments (15%).
  • Oral/Viva Voce: Textual recitation, defence of an argument (10%).
  • Project Submission: Portfolios of group projects (20%).

2. Poetry

2.1 Canonical & Modern Verse Analysis

For each poem:

  • Form & Meter: Scansion; stanzaic pattern; rhyme scheme.
  • Imagery & Symbolism: Visual, auditory, tactile images; metaphor and simile.
  • Theme & Tone: Central idea; poet’s attitude; historical resonance.
  • Critical Glosses: One classical and one contemporary critical note.

Subtopics & Weightage

Poet & PoemSubtopicsWeightage (%)
Shakespeare: Sonnets (1–154)Sonnet form; volta; thematic progression; Elizabethan context.6
Milton: “Paradise Lost” (passages)Epic conventions; theological themes; Miltonic blank verse; grand style.5
Donne: Holy SonnetsMetaphysical conceits; paradox; religious imagery; tonal shifts.5
Pope: “Essay on Man”Heroic couplet; philosophical arguments; optimism vs. determinism; neoclassical taste.4
Wordsworth: “Tintern Abbey”Nature/metaphor; Romantic self; blank verse; memory.4
Shelley: “Ode to the West Wind”Ode structure; political symbolism; terza rima; elements.4
Keats: “Ode on a Grecian Urn”Negative capability; ekphrasis; ode form; timelessness.4
Tennyson: “Ulysses”Dramatic monologue; heroic ethos; thematic contradiction; blank verse.4
Browning: “My Last Duchess”Dramatic monologue; irony; persona; patronage of art.4
Arnold: “Dover Beach”Lyric form; Victorian faith crisis; tone and meter.3
Yeats: “Sailing to Byzantium”Symbolist imagery; quest motif; aubade form.3
Eliot: “Prufrock”Modernist fragmentation; enjambment; urban alienation.3
Auden: “The Shield of Achilles”Irony; myth vs. modernity; political commentary.3
Frost: “Mending Wall”Rural idiom; blank verse; tradition vs. change.3
Tagore: Selected PoemsBengali lyricism; nature imagery; spiritual overtones.3
Ezekiel: “Night of the Scorpion”Narrative sonnet; rural superstition; irony; cultural context.3
Das: “An Introduction”Free verse; confessional tone; feminist selfhood.3
Hughes: “Theme for English B”Jazz rhythm; racial identity; free verse form.3
Larkin: “Church Going”Post-war tone; enjambment; reflective irony.3
Total70

2.2 Teaching Strategies

  • Scansion Drills: Interactive meter identification exercises.
  • Imagery Mapping: Visual charts linking image clusters to themes.
  • Comparative Analysis: Cross-period theme mapping tables.
  • Peer Review Workshops: Poem explication and critique sessions.

2.3 Question–Type Breakdown

  • Identification Questions: Name the meter/form; define a term (20%).
  • Analytical Responses (100–150 words): Image/function, tone analysis (30%).
  • Critical Essays (250–300 words): Comparative theme essays (30%).
  • MCQs (Contextual line-based): Inference, vocabulary-in-context (20%).

3. Drama

3.1 Play Study Components

For each play:

  • Genre & Structure: Tragic/comic conventions; five-act structure.
  • Character Sketches: Protagonist/antagonist arcs; foil characters.
  • Themes & Motifs: Power, identity, morality, social critique.
  • Staging & Performance: Key stage directions; historical performance context.
  • Dramatic Techniques: Soliloquy, asides, irony, comic relief.

Subtopics & Weightage

Play & PlaywrightSubtopicsWeightage (%)
MacbethTragic flaw; supernatural elements; equivocation; blank verse.6
Twelfth NightMistaken identity; festive comedy; subplots; music and song.5
Every Man in His HumourHumour theory; social satire; character types; classical unities.4
All for LoveHeroic drama; rhyme scheme; intertextuality with Antony and Cleopatra.4
PygmalionClass and language; transformation motif; problem-play conventions.5
LoyaltiesEthical conflict; dialogue realism; middle-class ethos.4
The Birthday PartyTheatre of menace; pauses; power dynamics; absurdist elements.4
Death of a SalesmanModern tragedy; flashback; American Dream critique; stagecraft.5
HayavadanaMyth and modernity; folk-theatre devices; narrative fragmentation.4
Total41

3.2 Instructional Approaches

  • Scene Workshops: Role-play key scenes; directorial notes.
  • Character Diaries: Write protagonist/antagonist inner monologues.
  • Staging Exercises: Mock set-design sketches; costume/historical research.
  • Critical Response Papers: Review performance recordings; critique direction.

3.3 Assessment Format

  • Scene Analysis (150 words): Themes, character intention (25%).
  • Structured Essay (300 words): Comparative genre study (35%).
  • MCQs on Dramatic Terms (e.g., soliloquy): (15%).
  • Viva on Performance Concepts: (10%).
  • Project–Set Design/Production Report: (20%).

4. Grammar & Usage

4.1 Detailed Topics & Sub-Skills

TopicSub-skills & TasksSample Task Types
Sentence TransformationAffirmative/negative; simple/compound/complex; conditional sentencesRewrite; combine; transform
Voice & SpeechActive/passive; direct/indirect; reporting questions/commandsConvert; punctuate; correct
Tenses & ConcordAll 16 English verb–tenses; sequence of tenses; subject–verb agreementFill-in-blanks; error correction
PrepositionsIdiomatic usage; phrasal verbs; prepositional phrasesCloze tests; sentence completion
Modals & AuxiliariesDegrees of certainty; obligation vs. permission; negationError spotting; rewrite
Articles & DeterminersDefinite/indefinite; zero article; demonstrativesGap filling; explanation
Parts of Speech & ClausesGerunds, infinitives; relative clauses; noun/adj/adv clausesIdentify; correct; expand
Vocabulary & CollocationsSynonyms/antonyms; academic vocabulary; phrasal collocationsMatching; sentence-use
Idioms & Phrasal VerbsCommon idioms; separable/inseparable PVsMCQs; sentence usage
ComprehensionUnseen passages (150–200 words); inference; summary; tone; vocabularyMCQs; short answers
Precis WritingIdentifying main ideas; summarising in one-third length; coherenceProduce précis; mark omissions
Letter & Report WritingFormal/informal; notice; memo; email; small reportDraft letters; peer feedback
TranslationEnglish↔Hindi; preserve semantic, stylistic, registerTranslate extract; justify choices

4.2 Pedagogical Techniques

  • Error Analysis Workshops: Peer-review of written exercises.
  • Timed Grammar Quizzes: 10-minute drills on focused topics.
  • Interactive Platforms: Vocabulary flashcards; mobile apps for phrasal verbs.
  • Writing Clinics: One-on-one feedback on précis and letters.

4.3 Evaluation Scheme

  • MCQs & Fill-in-Blanks: 30%
  • Short-Answer Exercises: 20%
  • Error-Correction & Transformations: 20%
  • Writing Tasks (Letter/Precis): 20%
  • Oral Grammar Drill (Viva): 10%
Resource TypeTitle & AuthorPurpose
Critical CompanionA Critical Introduction to English LiteratureTheoretical frameworks; critical perspectives.
Grammar ReferenceA Practical English Grammar (Thomson & Martinet)Clear explanations; practice exercises.
AP Stil & Usage GuideFowler’s Modern English UsageAdvanced usage notes; stylistic guidance.
Literary HistoryThe Norton Anthology of English LiteratureComprehensive background; selections.
Drama TheoryThe Cambridge Introduction to TheatreGenre theory; performance analysis.
Online Corpus ToolsCOCA; BNCFor authentic context and usage frequency.

Preparation Strategy (Extended):

  1. Integrated Timetable: Allocate weekly slots for each section—Literature (Mon–Wed), Grammar (Thu–Fri), Revision & Mock Tests (Sat).
  2. Milestone Assessments: Monthly full-length mocks with detailed performance analytics.
  3. Group Study Sessions: Peer teaching and error-spotting clubs.
  4. Expert Workshops: Guest lectures on postcolonial criticism, feminist readings, drama direction.
  5. Self-Reflection Journals: Maintain daily logs of challenging concepts and progress reviews.

This comprehensive, deeply detailed syllabus—with clear weightages, subtopics, pedagogical methods, and assessment formats—offers a structured roadmap for aspirants to excel in the UPPSC LT Grade Assistant Teacher English examination.

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